Artist: Vladimir Ashkenazy Title: Rachmaninov: Moments musicaux Op. 16 Year Of Release: 2005 Label: Decca [475 619-8] Genre: Classical Quality: FLAC (24bit/88,2 kHz) Total Time: 01:02:45 Total Size: 776 mb

Tracks:

1. Moments Musicaux (6) for piano, Op. 16: 1. Andantino B flat minor
2. Moments Musicaux (6) for piano, Op. 16: 2. Allegretto E flat minor
3. Moments Musicaux (6) for piano, Op. 16: 3. Andante cantabile B minor
4. Moments Musicaux (6) for piano, Op. 16: 4. Presto E minor
5. Moments Musicaux (6) for piano, Op. 16: 5. Adagio sostenuto D flat major
6. Moments Musicaux (6) for piano, Op. 16: 6. Maestoso C major
7. Morceaux de fantaisie (5), for piano, Op. 3: 1. Élégie E flat minor
8. Morceaux de fantaisie (5), for piano, Op. 3: 2. Prélude C sharp minor
9. Morceaux de fantaisie (5), for piano, Op. 3: 3. Mélodie E major
10. Morceaux de fantaisie (5), for piano, Op. 3: 4. Polichinelle F sharp minor
11. Morceaux de fantaisie (5), for piano, Op. 3: 5. Sérénade B flat minor
12. Pieces (3) for piano, TN ii/19: Fragments
13. Pieces (3) for piano, TN ii/19: Prelude, op. posth. D minor
14. How fair this spot, song for voice & piano, Op. 21/7
15. Vocalise, instrumental arrangement, Op. 34/14

Vladimir Ashkenazy plays solo piano works by Sergei Rachmaninoff. The first of three posts of his SACD releases on Decca. Review from Jessica Duchen at Classical-Music.com Rachmaninov’s ubiquitous C sharp minor Prelude was written when the composer was all of 19 years old. Usually it is lifted wholesale from its original place within Rachmaninov’s Morceaux de fantasie, Op. 3 and slotted into collections of his preludes instead. But here Ashkenazy, focusing on Rachmaninov’s early piano works – many of them too little known – provides a rare opportunity to hear the entire set, some of which prove just as striking. The Op. 16 Moments Musicaux, too, are not really as well-known as they deserve to be and in this account, thoughtful, poetic yet never sentimental, Ashkenazy makes an almost ideal case for them. The first piece sets the tone: deeply reflective, introverted yet coloured with a refulgent humanity, featuring exquisitely controlled pianissimos and subtly layered voicing. In the rapid numbers there is never a hint of virtuoso histrionics; Ashkenazy plays them with real poise and nobility, as true to Rachmaninov’s own spirit as one could wish, suggesting an identification with this repertoire that is often profoundly moving. The final Vocalise, in Zoltán Kocsis’s filigree transcription, completes a disc of rare treats in which the only tiny upset is a trace of the pianist humming along, enhanced – together, of course, with the rich tone of the piano – by the excellent SACD sound