I am providing important films in ISO for the film buff or novice film historian. It is nearly impossible to find torrent files that include all the extras or even important commentaries. I would love some productive feedback . . . :)

This is a DVD rip to an ISO; you can watch it on your media player, mount it to a virtual drive or burn it to a DVD.

This file includes EVERYTHING the original DVD has:

*All-new, restored high-definition digital transfer *Video introduction by writer-director Peter Bogdanovich *Two audio commentaries: one by filmmaker Steven Soderbergh and screenwriter Tony Gilroy, and one by film scholar Dana Polan *Shadowing “The Third Man” (2005), a ninety-minute feature documentary on the making of the film *Abridged recording of Graham Greene’s treatment, read by actor Richard Clarke

• “Graham Greene: The Hunted Man,” an hour-long, 1968 episode of the BBC’s Omnibus series, featuring a rare interview with the novelist *Who Was the Third Man? (2000), a thirty-minute Austrian documentary featuring interviews with cast and crew *The Third Man on the radio: the 1951 “A Ticket to Tangiers” episode of The Lives of Harry Lime series, written and performed by Orson Welles; and the 1951 Lux Radio Theatre adaptation of The Third Man *Illustrated production history with rare behind-the-scenes photos, original UK press book, and U.S. trailer *Actor Joseph Cotten’s alternate opening voice-over narration for the U.S. version *Archival footage of postwar Vienna *A look at the untranslated foreign dialogue in the film *Optional English subtitles for the deaf and hard of hearing

1949 104 minutes Black and White 1.33:1 English

SYNOPSIS: Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas’s evocative zither score; Graham Greene’s razor-sharp dialogue; and Robert Krasker’s dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass.