Bach - Cello Suites Nos. 1-6 - Nina Kotova (2015) [FLAC]
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Artist: Nina Kotova Title: J.S. Bach: Cello Suites Nos. 1-6 Year Of Release: 2014 Label: Warner Classics Genre: Classical Quality: FLAC (tracks) + scans Total Time: 02:17:09 Total Size: 803 Mb

Tracklist:

CD 1

  1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
  2. Cello Suite No. 1 in G major, BWV 1007: II. Allemande
  3. Cello Suite No. 1 in G major, BWV 1007: III. Courante
  4. Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande
  5. Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II
  6. Cello Suite No. 1 in G major, BWV 1007: VI. Gigue
  7. Cello Suite No. 2 in D minor, BWV 1008: I. Prélude
  8. Cello Suite No. 2 in D minor, BWV 1008: II. Allemande
  9. Cello Suite No. 2 in D minor, BWV 1008: III. Courante
  10. Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande
  11. Cello Suite No. 2 in D minor, BWV 1008: V. Menuet I & II
  12. Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue
  13. Cello Suite No. 3 in C major, BWV 1009: I. Prélude
  14. Cello Suite No. 3 in C major, BWV 1009: II. Allemande
  15. Cello Suite No. 3 in C major, BWV 1009: III. Courante
  16. Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande
  17. Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II
  18. Cello Suite No. 3 in C major, BWV 1009: VI. Gigue

CD 2

  1. Cello Suite No. 4 in E flat major, BWV 1010: I. Prélude
  2. Cello Suite No. 4 in E flat major, BWV 1010: II. Allemande
  3. Cello Suite No. 4 in E flat major, BWV 1010: III. Courante
  4. Cello Suite No. 4 in E flat major, BWV 1010: IV. Sarabande
  5. Cello Suite No. 4 in E flat major, BWV 1010: V. Bourrée I & II
  6. Cello Suite No. 4 in E flat major, BWV 1010: VI. Gigue
  7. Cello Suite No. 5 in C minor, BWV 1011: I. Prélude
  8. Cello Suite No. 5 in C minor, BWV 1011: II. Allemande
  9. Cello Suite No. 5 in C minor, BWV 1011: III. Courante
  10. Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande
  11. Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I & II
  12. Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue
  13. Cello Suite No. 6 in D major, BWV 1012: I. Prélude
  14. Cello Suite No. 6 in D major, BWV 1012: II. Allemande
  15. Cello Suite No. 6 in D major, BWV 1012: III. Courante
  16. Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande
  17. Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I & II
  18. Cello Suite No. 6 in D major, BWV 1012: VI. Gigue

Performers: Nina Kotova made this recording of the Bach Cello Suites on the 1679 “Du Pré” Stradivarius cello.

The very short list of credits on this Warner Classics release includes Russian American cellist Nina Kotova and producer Adam Abeshouse, who delivers a very closely miked sound in the frequently used Performing Arts Recital Hall of Purchase College on Long Island, New York. But perhaps the uncredited star on this set of Bach's Six Suites for solo cello is Kotova's 1679 Stradivarius instrument, which Kotova exploits to the maximum. Her reading is one of those in the line coming down from Pablo Casals, with a high degree of expressiveness generated through variations in tempo and articulation. Hear any of the concluding gigues, which come off like late Romantic witches' dances, for an example, or the increasingly unexpected relationships among the Gavotte sections in the Suite No. 6 in D major, BWV 1012 (CD 2, track 17). But what gives Kotova's reading its real edge is the sound of the cello itself and her ability to integrate it into what she's doing. The Suite No. 5 in C minor, BWV 1011, almost seems to unfold inevitably from its opening low note, which carries deep resonances, echoes, and overtones. Since coming on the scene in the 1990s, Kotova has made reasonably well-received recordings of standard repertory and has played a good deal of contemporary music. With this recording she breaks through to another level with an original and beautifully realized interpretation of some of the most-played music in the cello repertory. It might not be the cup of tea of those who search for patterns in the cello suites and prefer an objective reading, but it will be compelling for even casual Bach listeners

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