Bach - The Complete Works for Keyboard Vol. 2.2 - Benjamin Alard (2019) [24-96]
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Artist: Benjamin Alard Title: J.S. Bach: Complete Keyboard Edition, Vol. 2.2 Year Of Release: 2019 Label: harmonia mundi Genre: Classical Quality: FLAC (tracks) / 24bit-96kHz Total Time: 02:00:33 Total Size: 2.26 GB

Tracklist:

  1. Wir glauben all an einen Gott, BWV 1098
  2. Wir glauben all an einen Gott, BWV 765
  3. Vater unser im Himmelreich, BWV 737
  4. O Lamm Gottes unschuldig, BWV 1085
  5. O Lamm Gottes unschuldig, BWV 1095
  6. Du Friedefürst, Herr Jesu Christ, BWV 1102
  7. O Herre Gott, dein göttlich Wort, BWV 1110
  8. Wir Christenleut, BWV 1090
  9. Herzliebster Jesu, was hast du verbrochen, BWV 1093
  10. Gott ist mein Heil, mein Hilf und Trost, BWV 1106
  11. Der Tag, der ist so freudenreich, BWV 719
  12. Allein zu dir, Herr Jesu Christ, BWV 1100
  13. Durch Adams Fall ist ganz verderbt, BWV 1101
  14. Christ, der du bist der helle Tag, BWV 1120
  15. Ach Gott und Herr, BWV 714
  16. Erbarm dich mein, o Herre Gott, BWV 721
  17. Als Jesus Christus in der Nacht, BWV 1108
  18. In dich hab ich gehoffet, Herr, BWV 712
  19. Christ, der du bist der helle Tag, BWV 766
  20. Sonata in A Minor, BWV 965: 1. Adagio
  21. Sonata in A Minor, BWV 965: 2. Fuga
  22. Sonata in A Minor, BWV 965: 3. Adagio - Presto
  23. Sonata in A Minor, BWV 965: 4. Allemande
  24. Sonata in A Minor, BWV 965: 5. Courante
  25. Sonata in A Minor, BWV 965: 6. Sarabande
  26. Sonata in A Minor, BWV 965: 7. Gigue
  27. Toccata in C Major
  28. Fugue in C Major, BuxWV 174
  29. Toccata in E Minor, BWV 914
  30. Sonata in C Major, BWV 966: 3. Adagio
  31. Fugue in A Minor, BWV 959
  32. Canzona in D Minor, BWV 588
  33. Fantasie in G Minor, BWV 917
  34. Fuge in B-Flat Major, BWV 955a
  35. Toccata in D Minor, BWV 913a

In this second instalment of the complete keyboard works, Benjamin Alard demonstrates with splendid eloquence how invaluable the young Bach’s north German experience proved to be; his attentive examination of the works of the great organ masters and his craving for all kinds of music significantly broadened the stylistic foundations of his keyboard writing. The wide range of works presented here, complemented by pieces by Buxtehude, Reinken and Pachelbel, illustrates in exemplary fashion the power of a master in the making.

Benjamin Alard, paino

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