Type.................: Movie File Validation......: SHA-256 HASH

Title................: My Name Aint Suzie, "Fa gai si doi" (original title), "Hua jie shi dai" (Mandarin title) Studio...............: Shaw Brothers Actors...............: Pat Ha, Deannie Ip, Anthony Chau-Sang Wong
Directors............: Angela Chan Writers..............: Koon-Chung Chan
Genre................: Drama Release Date.........: 24 October 1985 (Hong Kong)
Duration.............: 01:36:22 (per actual main feature Rated................: Not Rated Cover(s) Included....: No

Language.............: Chinese (Cantonese) Subtitles............: Chinese, English, Malay, Indonesian Resolution...........: 480p @ 16x9 (Letterbox) Source...............: Original Retail OOP Indonesian LD Disc

IMDb Information.....: https://www.imdb.com/title/tt0089651/ IMDb Rating..........: 6.6

Format : MPEG-4 Overall bit rate : 1 582 kb/s

Video Format : AVC Format settings, CABAC : Yes Format settings, Reference frames : 8 frames Bit rate : 1 464 kb/s Width : 718 pixels Height : 464 pixels Display aspect ratio : 1.85:1 Frame rate mode : Variable Frame rate : 29.970 FPS Minimum frame rate : 14.985 FPS Maximum frame rate : 29.970 FPS Bit depth : 8 bits Scan type : Progressive Writing library : x264 core 157 r2935 545de2f

Audio Format : AAC LC Bit rate mode : Constant Bit rate : 96.0 kb/s Channel(s) : 2 channels Sampling rate : 48.0 kHz Title : Stereo Language : Chinese Default : Yes

SHA-256: 60d6aeeef4bdf7c70d1ddb24566fcbf35f4194c5d616d5b0b06754930c745e6a

Please go to the following website for detailed information:

https://www.easternkicks.com/reviews/my-name-aint-suzie

 The Suzie in the title refers to The World Of Suzy Wong, a great novel by British author Richard Mason which was made into a terrible Hollywood movie in 1960. Like Suzy, Shu Mei goes to work in a bar in Wanchai around the late 1950s, where sailors and foreign money are plentiful.
 My Name Ain’t Suzie is a gem in the history of Hong Kong as well as international cinema, even though it remained overlooked for far too long.

Due to the conflict between film director Angie Chen and Shaw Brothers executives concerning the content of the film, it received insufficient promotion, limited exhibition at film festivals and eventually got buried in the archives. Having its European premiere at 21st Far East Film Festival, 34 years after its completion, My Name Ain’t Suzie remains a film that fascinates on so many levels: as a work of a brilliant film auteur; as a sign of the shift in local cinema; as a feminist statement; as a cinematic image of Hong Kong in the past; as a critique of Orientalism and generalized representation of the Far East reproduced in Hollywood films.

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